Some Background On The Eventide 2016 Digital Reverb.

The Eventide 2016 Digital Reverb, often referred to simply as the Eventide 2016, is a legendary piece of audio equipment that has played a significant role in the history of digital audio processing. It was released in 1982 by Eventide, a company renowned for its innovations in audio effects and signal processing. The 2016 Digital Reverb quickly gained recognition and respect in the music production industry due to its advanced algorithms and the quality of reverb it produced.

Here’s a brief history of the Eventide 2016 Digital Reverb:

  1. Early Days of Eventide: Eventide was founded in 1971 by Richard Factor and Stephen Katz. The company had already earned a reputation for developing pioneering audio effects processors, including the iconic H910 and H949 Harmonizer, which were widely used in the music industry.
  2. Introduction of the Eventide 2016: In 1982, Eventide introduced the Eventide 2016 Digital Reverb, one of the earliest digital reverb units. At the time, most reverb processors used analog technology, and the 2016 marked a significant departure from this traditional approach. The 2016 was the first rack-mounted digital reverb unit designed to provide a wide range of reverb effects with pristine clarity.
  3. Advanced Algorithms: What set the Eventide 2016 apart from its contemporaries was its advanced algorithms, which enabled a level of customization and quality that was previously unattainable. Musicians, recording engineers, and producers were captivated by the 2016’s ability to produce lush, realistic reverberation effects.
  4. Impact on Music Production: The Eventide 2016 quickly became a staple in recording studios around the world. It was used on countless hit records, enhancing vocals, instruments, and entire mixes. Its adaptability and superb sound quality made it a favorite among audio professionals.
  5. Enduring Legacy: While digital audio technology has evolved significantly since the introduction of the 2016, this classic reverb unit has maintained its value and reputation. It remains highly sought after in the vintage audio equipment market, and many modern producers and musicians still consider it a go-to reverb unit for its unique sound.
  6. Continued Innovation: Eventide continued to innovate in the field of digital audio processing, releasing a wide range of successful products over the years. The company’s commitment to high-quality signal processing and effects has ensured its enduring relevance in the audio industry.

In summary, the Eventide 2016 Digital Reverb was a groundbreaking product in the world of audio processing. Its advanced digital technology and high-quality algorithms set a new standard for reverb effects, and it remains an iconic piece of audio equipment with a lasting legacy in the music production industry.


Using The Eventide 2016 Digital Reverb In The Studio.

I remember the first time I had the privilege of using the Eventide 2016 Digital Reverb in our professional studio. It was a moment that left a lasting impression, and I’d like to share my account of that experience.

As I stepped into Studio 11, our renowned professional recording studio, I was greeted by the sight of the Eventide 2016 unit sitting proudly in the equipment rack. It was like encountering a piece of audio history. The brushed aluminum front panel exuded a sense of classic, timeless craftsmanship.

We were working on a project with a talented singer-songwriter Jessica Douly, and I knew that the Eventide 2016 was the perfect tool to elevate the sonic landscape of her music. Setting up the session, I routed the vocals through the 2016, eager to hear the magic it could work.

The first thing that struck me was the unit’s intuitive interface. Eventide had designed it with precision, making it straightforward to dial in the perfect reverb settings. It featured a well-organized layout with knobs for decay time, mix, and pre-delay, among other parameters. We decided to go for a lush, ethereal reverb to complement the singer’s emotive performance.

As I started to tweak the knobs, I could instantly hear the transformation. The reverb produced by the 2016 was unlike anything I’d heard before. It was rich, immersive, and truly three-dimensional. It enveloped the vocals, giving them a sense of space and depth that took the recording to another level. The reverb wasn’t just a background effect; it became an integral part of the sound, enhancing the emotion and storytelling in the lyrics.

What stood out to me was the unit’s versatility. It wasn’t limited to a single type of reverb; we had a range of algorithms at our disposal. We could seamlessly switch between different reverb types, experimenting with plate, room, and chamber settings, tailoring each to the song’s needs. This versatility allowed us to be creative and explore various sonic possibilities within a single session.

The Eventide 2016 also provided the fine-grained control that every producer dreams of. We adjusted the pre-delay to perfection, ensuring that the reverb didn’t muddy the initial transients of the vocals. The decay time was precisely tuned, so it felt like we were creating unique acoustic spaces for each song, all within the confines of the studio walls.

As we continued the recording session, the Eventide 2016 Digital Reverb became an indispensable tool. It contributed to the studio’s sonic signature, and its legendary status was well-deserved. We captured some unforgettable performances that day, and the 2016 played a significant role in making that possible.

In the world of audio production, it’s the gear that enhances creativity and elevates the music. The Eventide 2016 Digital Reverb did just that, leaving an indelible mark on our studio’s sonic palette and adding a touch of audio magic to every project. It’s no wonder it remains a revered piece of equipment in the professional studio world, and I’m grateful to have had the opportunity to harness its power.

Features And Specs Of The Eventide 2016 Digital Reverb.

The Eventide 2016 Digital Reverb is a legendary reverb processor known for its high-quality reverb effects and versatile features. Below are some of its key features and specifications:


  1. Reverb Algorithms: The Eventide 2016 offers multiple reverb algorithms, including Plate, Room, Chamber, and more. These algorithms allow for a wide range of reverb types and sonic possibilities.
  2. Customizable Parameters: The unit provides precise control over parameters such as decay time, pre-delay, diffusion, and filtering. This level of customization enables users to fine-tune the reverb to suit specific musical styles and preferences.
  3. Two Independent Channels: The 2016 features two completely independent channels, making it ideal for stereo applications. Each channel can have its unique settings, making it versatile for mixing and processing stereo sources.
  4. Balanced Inputs and Outputs: It is equipped with balanced XLR input and output connections, ensuring compatibility with professional studio setups.
  5. User Presets: The unit allows users to save and recall their own presets, which is especially useful for quickly accessing preferred reverb settings during a session.
  6. LED Display: The front panel includes an LED display that shows parameter values and settings, making it easy to navigate and control.
  7. High-Quality Converters: The 2016 features high-quality analog-to-digital and digital-to-analog converters for pristine audio quality.
  8. MIDI Compatibility: It has MIDI control capabilities, allowing for remote control and integration into MIDI-based studio setups.


  1. Sample Rate: The Eventide 2016 typically operates at a sample rate of 48 kHz, providing high-quality audio processing.
  2. Frequency Response: It offers a wide frequency response, typically from 20 Hz to 20 kHz, ensuring that it can faithfully reproduce audio across the entire audible spectrum.
  3. Dynamic Range: The dynamic range of the 2016 is excellent, typically exceeding 90 dB, which contributes to its high audio quality.
  4. Power Requirements: The unit usually operates on standard AC power, with a voltage of 100-120 V or 220-240 V, depending on the region.
  5. Rack-Mountable: The Eventide 2016 Digital Reverb is designed for rack mounting and typically occupies 1U (1.75 inches) of rack space.
  6. Dimensions: The dimensions of the unit may vary slightly depending on the specific model and version, but it is generally a compact and space-saving piece of equipment.
  7. Weight: Its weight can also vary slightly depending on the version, but it is generally lightweight and easy to handle.

Please note that while these specifications represent typical values for the Eventide 2016 Digital Reverb, there may be variations between different versions and models. It’s always a good practice to consult the manufacturer’s documentation for the most accurate and detailed information on a specific unit.

Tweaking The Eventide 2016 For Snare.

Creating an amazing preset for the Eventide 2016 Digital Reverb in the studio for a snare drum can be a fascinating and creative process. Let’s embark on the journey of crafting a unique and impactful reverb setting:

Setting the Stage: I found myself in the studio, ready to record a snare drum track for an upcoming rock album. The snare drum had a powerful, crackling sound that I wanted to emphasize and transform into something extraordinary. I knew that the Eventide 2016 could help me achieve that.

Exploration and Experimentation: I started by patching the snare drum mic through the Eventide 2016. My goal was to create a reverb that not only enhanced the snare’s character but also added a sense of space and excitement to the sound. As I gazed at the 2016’s LED display, I began to experiment.

  1. Algorithm Selection: I began by trying different reverb algorithms. For a snare drum, plate and room reverbs often work well. I started with the Plate algorithm to give the snare a classic, bright, and reflective quality. It immediately made the snare drum sound more alive.
  2. Decay Time: I played around with the decay time, extending it to around 1.5 seconds. This allowed the snare hits to linger, creating a sense of depth and space without overwhelming the mix.
  3. Pre-Delay: To preserve the snare’s initial attack, I set the pre-delay to a very short time, around 20-30 milliseconds. This made the reverb feel like a natural extension of the snare hit.
  4. Diffusion: Increasing the diffusion parameter helped smooth out the reverb tail, making it feel more integrated with the snare sound and avoiding any unwanted artifacts.
  5. Filtering: I added a touch of high-frequency filtering to prevent the reverb from becoming too sibilant and to match the snare’s tonal characteristics.

Tweaking and Fine-Tuning: As I continued to fine-tune the preset, I was amazed by the results. The snare now had a rich, spacious quality that retained its character and impact. It felt like it was recorded in a massive, sonorous room. But there was one final touch I wanted to add.

Modulation and Movement: The Eventide 2016 allowed me to introduce modulation to the reverb tail. I applied a subtle amount of pitch modulation to create a sense of movement and dimension. This gave the snare drum a unique, almost surreal quality.

Saving the Preset: With a smile of satisfaction, I saved the preset. I named it “Epic Snare Plate” to reflect its grand and captivating character.

Recording and Mixing: Armed with the new preset, I recorded the snare drum performance, knowing that the Eventide 2016 had transformed it into something special. During the mixing phase, I placed the snare firmly in the mix, where it cut through with a captivating reverb that made it a standout element of the track.

Creating an amazing preset for the Eventide 2016 reverb in the studio for the snare drum was a rewarding experience. It showcased the power of this classic digital reverb unit to take a fundamental sound and elevate it to new heights, adding depth, space, and a touch of magic to the music. It’s a reminder that in the world of audio production, creativity knows no bounds, and the right tools can help you achieve sonic excellence.


The Eventide 2016 Digital Reverb In Pop Music.

The Eventide 2016 Digital Reverb is a classic piece of audio equipment that has left its mark on many iconic recordings across various music genres. While it’s challenging to compile an exhaustive list of all the artists and recordings that have used the 2016, here are a few notable examples where the unit has made a significant contribution:

  1. David Bowie:
    • Album: “Let’s Dance” (1983)
    • Song: “Let’s Dance”
    • The Eventide 2016 was used to create the distinctive and spacious reverb on the drums and other elements, contributing to the album’s iconic sound.
  2. U2:
    • Album: “The Joshua Tree” (1987)
    • Song: “Where the Streets Have No Name”
    • The Eventide 2016 played a role in sculpting the atmospheric and reverberant soundscapes that define many tracks on this classic album.
  3. Depeche Mode:
    • Album: “Violator” (1990)
    • Song: “Enjoy the Silence”
    • The 2016 was used to add depth and texture to the vocals and synth elements, helping to create the haunting and ethereal mood of the song.
  4. The Cure:
    • Album: “Disintegration” (1989)
    • Song: “Lovesong”
    • The lush and dreamy reverb on the vocals in “Lovesong” is a hallmark of the Eventide 2016’s sonic signature.
  5. Kate Bush:
    • Album: “Hounds of Love” (1985)
    • Song: “Running Up That Hill”
    • The 2016 played a crucial role in sculpting the reverb-drenched percussion and vocals, which contributed to the song’s unique sound.
  6. My Bloody Valentine:
    • Album: “Loveless” (1991)
    • Song: “To Here Knows When”
    • The Eventide 2016 was used extensively throughout the album, helping to create the enveloping and otherworldly reverb textures that define the shoegaze genre.
  7. The Police:
    • Album: “Synchronicity” (1983)
    • Song: “Every Breath You Take”
    • The 2016’s reverb contributed to the spacious and atmospheric quality of this classic hit.
  8. Peter Gabriel:
    • Album: “So” (1986)
    • Song: “Sledgehammer”
    • The 2016 played a role in shaping the reverberant textures heard throughout this influential album.
  9. Fleetwood Mac:
    • Album: “Tango in the Night” (1987)
    • Song: “Big Love”
    • The Eventide 2016 was used to create the distinctive guitar sound with rich reverb on “Big Love.”

These are just a few examples of the many artists and recordings that have featured the Eventide 2016 Digital Reverb. Its unique sound and versatility have made it a sought-after tool for engineers and producers looking to add depth, character, and atmosphere to their music.


Where To Find An Eventide 2016 Reverb.

Here are some places where you might be able to purchase an Eventide 2016 reverb:

  1. Vintage Audio Equipment Retailers: Some specialized vintage and pro audio retailers may carry used or refurbished Eventide 2016 units. These shops often cater to audio professionals and collectors.
  2. Online Marketplaces: Online marketplaces such as eBay, Reverb, and Gearslutz Marketplace are common platforms for buying and selling used audio equipment, including the Eventide 2016.
  3. Auction Sites: Keep an eye on auction sites where audio gear is auctioned. You might find vintage Eventide 2016 units up for bidding.
  4. Pro Audio Forums: Online forums like Gearslutz or ProSoundWeb often have classified sections where individuals buy and sell audio equipment, including vintage reverb units.
  5. Vintage Audio Shows and Events: If you attend vintage audio shows or events, you may find sellers with Eventide 2016 units available for purchase.
  6. Directly from Owners: Sometimes, musicians, studios, or collectors might be looking to sell their vintage audio gear. You can come across opportunities through word of mouth or networking with the audio community.
  7. Vintage Audio Dealers: Some dealers specialize in vintage audio equipment and may have Eventide 2016 units in their inventory.

Please note that the availability of Eventide 2016 units may vary, and prices can vary significantly based on factors like the unit’s condition, rarity, and any included accessories. Additionally, it’s essential to verify the condition and authenticity of the unit if you’re considering a used purchase.


In Summary.

The Eventide 2016 Digital Reverb is a classic piece of audio equipment known for its high-quality reverb effects and its historical significance in the world of digital audio processing. When used in a professional studio, it offers several notable advantages:

  1. Sound Quality: The Eventide 2016 is celebrated for its exceptional sound quality. It can produce lush and realistic reverb effects that enhance the audio quality of recordings. The unit’s advanced algorithms create a wide range of reverberation styles, from subtle room ambiance to larger-than-life, epic spaces.
  2. Versatility: The 2016 Digital Reverb is highly versatile. It offers a variety of reverb algorithms, including plate, room, chamber, and more. This versatility makes it suitable for a wide range of musical genres and audio applications.
  3. Customization: Users have the ability to fine-tune the reverb settings to achieve their desired sound. This level of customization is especially valuable in a professional studio, where the specific sonic characteristics of a recording can be crucial.
  4. Historical Significance: The Eventide 2016 has a rich history and is often considered a vintage classic. Its inclusion in a professional studio can be a nod to the industry’s heritage and can lend a sense of prestige to the studio’s equipment lineup.
  5. Durability: Eventide is known for producing rugged and durable audio equipment. The 2016 has stood the test of time, making it a reliable addition to a professional studio that requires longevity in its gear.

While the Eventide 2016 Digital Reverb offers numerous benefits, it’s essential to keep a few considerations in mind:

  1. Cost: Acquiring a vintage Eventide 2016 unit can be expensive. However, some studios find the investment to be well worth it, given the unit’s enduring quality.
  2. Maintenance: Older units may require periodic maintenance or repairs to keep them operating at their best. It’s crucial to have a plan for upkeep and repairs.
  3. Integration: Ensure that the 2016 can be integrated seamlessly with your studio setup, taking into account connectivity and compatibility with other equipment.

In conclusion, the Eventide 2016 Digital Reverb is a valuable addition to a professional studio, particularly if you appreciate its historical significance, sound quality, and versatility. Its ability to create rich, customizable reverb effects can greatly enhance the quality of recordings, making it a well-regarded choice for many studios in various genres of music and audio production.

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